AUDIO PRODUCTION TECHNOLOGY

Audio Production Technology

 

Concept

Our approach is based on a combination of a digital audio workstation (DAW) with traditional outboard instruments and processors. Authentic sounds and specific unique characteristics of historical synthesizers, early samplers, and effect devices can hardly be emulated in detail by means of virtual instruments and plug-ins. Hence, we combine both worlds, employing the advantages of a modern DAW platform while preserving the uniqueness of "old-school" equipment.

Contact

 

Areas of Application
  • teaching of audio technology
  • environment for own electronics projects and software development for audio systems

 

Digital Audio Workstation and Recording
  • digidesign Pro Tools HD 2 Accel System
  • digidesign 192 I/O (2x)
  • digidesign 96i I/O
  • digidesign C|24
  • Studiologic SL-990 Pro

     optional:

  • Yamaha 02R V2 recording console *
  • Fairlight MFX3plus *

     portable:

  • M-AUDIO ProjectMix I/O with Pro Tools
  • digidesign Mbox 2 Pro with Pro Tools
  • digidesign Command-8

     synchronization:

  • KMI-Clock-1: highly stable reference clock (own development)
  • digidesign SYNC HD

 

 Plug-Ins (Selection)
  • Native Instruments Komplete 5
  • The Waldorf Collection
  • Antares Auto-Tune

 

 Mics and Preamps
  • Neumann TLM103 
  • multiple Oktava MK-012-01
  • SPL Channel One Mod. 9945
  • RME Octamic-II
  • FMR Audio RNP 8380 *

 

 

 Monitoring
  • Yamaha HS-80M and HS-10W (nearfield 5.1 surround configuration)
  • SPL SMC 2489

     alternative system:

  • Yamaha NS-10M STUDIO pair (stereo configuration) *
  • PAS audio 2002 PCA power amplifier *

 

 Sound Generation (Selection)
  • Yamaha GS2 *
  • Yamaha DX7 *
  • Yamaha TX802 *
  • Roland Juno-106 *
  • Roland MKS-50 *
  • Roland MKS-70 *
  • Roland MKS-20 *
  • Roland D-50 M.EX *
  • Roland D-550 M.EX *
  • Roland D-110 *
  • Roland U-220 *
  • Korg M1 *
  • Korg M1REX *
  • Korg T3EX *
  • Korg Wavestation SR *
  • Waldorf Microwave I (Rev B) *
  • Waldorf Microwave II (Rev 1) *
  • WERSI DX400CP *
  • WERSI MK1 SIII *
  • Sequential Circuits Prophet 2000 *
  • Sequential Circuits Prophet VS (with KMIVSRAM16 expansion) *
  • Kawai K5000W *
  • E-mu Emulator II, with Mac IIvx *
  • Fairlight CMI Series III / MFX2 *
  • AKAI S900 *
  • AKAI S950 *
  • AKAI S1000 *
  • AKAI S1100 *
  • AKAI S3000XL *
  • AKAI CD3000XL *
  • Ensoniq ASR-10R *
  • Oberheim DPX-1 *
  • Roland R-8M *
  • Linn Electronics: LinnDrum *
  • Linn Electronics: Linn9000 (with KMI9000AD and KMI9000SRAM512 expansions) *
  • E-mu Drumulator *
  • E-mu SP-1200 *
  • WERSI CX5 *

 Sound Processing and Effects (Selection)
  • Lexicon Model 200 *
  • Lexicon PCM60 *
  • Lexicon PCM70 *
  • Lexicon Model 480L *
  • Lexicon PCM81 *
  • Lexicon PCM91 *
  • Lexicon MPX1 *
  • Lexicon MX300
  • Yamaha REV7 *
  • Roland DEP-5 *
  • Roland VT-3 *
  • Behringer DSP2024P *
  • dbx 1066 *
  • FMR Audio RNC1773 *
  • FMR Audio RNLA7239 *
  • Behringer MDX1400 *
  • own tools: audio processing and effects

 

 Analog Mastering and Archiving
  • Telefunken M5 (vac. tubes), 1/4" full track, B-wind, CCIR, 15ips and 30ips *
  • Telefunken M15-MS, 1/4" Stereo, B-wind, CCIR, 7.5ips and 15ips *
  • Telefunken M15A-S, 1/4" Stereo, B-wind, CCIR, 7.5ips and 15ips *
  • Telefunken M15A-2TC Sync, 1/4" 2-track with timecode, B-wind, CCIR and NAB, 7.5ips and 15ips *
  • Revox A77 HS MKIV, 1/4" 2-track, A-wind, CCIR, 7.5 and 15ips *
  • ANT telcom c4 decoder and encoder (for 2 channels) *

 

 

 Other Archive Formats
  • Compact Disc: Channel Code Copy
  • DAT
  • DCC
  • 3/4" PCM Master Tape (Sony PCM-1630, DMR-2000, DTA-2000) *
  • Consumer 1/4" (Revox A700) *
  • Compact Cassette (Revox B215) *
  • various formats of data storage on Compact Cassette: conversion tools
  • various data and filesystem formats: conversion tools

 

* = external location, some listed equipment is optionally on loan from private property 
 

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